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Torture Tunes: Tarantino, Popular
Music and New Hollywood Ultraviolence
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LISA COULTHARD
Lisa Coulthard teaches
film studies at the University of British Columbia. Her research
interests focus on film violence, and she has published a number
of articles related to this topic. She is currently completing a
monograph on sound in the films of Quentin Tarantino. Email: lisa.coulthard@ubc.ca
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Pierrot at the Cinema: The Musical
Common Denominator from Pantomime to Film, Part II
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CARLO PICCARDI
Translated by GILLIAN ANDERSON, LIDIA BAGNOLI, and LAUREN GREGOR
Carlo Piccardi is
a retired radio producer and musicologist, a prolific writer on
film music and the producer of live concerts. Gillian Anderson is
an orchestral conductor and musicologist specializing in music for
film, www.gilliananderson.it.
Lidia Bagnoli is an Italian painter who teaches scenery design at
the Academy of Fine Arts, Brera in Milan, www.lidiabagnoli.com.
Lauren Gregor is a recent graduate of the NYU program in film scoring.
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The Metropolitan Opera Goes Public:
Peter Gelb and the Institutional Dramaturgy of the Met "Live
in HD"
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JAMES STEICHEN
James Steichen is
a graduate student in musicology at Princeton University. His scholarship
focuses on cross-disciplinary performance studies and institutional
mediation in classical music, opera, and musical theater. He studied
comparative literature at the University of Virginia and holds a
master's degree in Humanities from the University of Chicago. He
has extensive experience in arts management and fundraising, most
notably at the National Symphony Orchestra and the John F. Kennedy
Center for the Performing Arts. Email: steichen@princeton.edu
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